Nymph at the Fountain
Description: Nymph at the Fountain
Français : Nymphe à la pièce d'eau
Polski: Nimfa obok fontanny
Date: before 1924
Author: Guillaume Seignac (1870–1924)
http://commons.wikimedia.org/wiki/File:Seignac_Guillaume_Nymphe_A_La_Piece_D-Eau.jpg
http://commons.wikimedia.org/wiki/User:Mattes/Favorite files/Images/B/Arts/Paintings/2
Guillaume Seignac | Female red hair in art | Paintings of nude standing females | Front views of females | Nude women with red hair | Neoclassicism (1750-1830)
Sunday, February 4, 1979
L'Abandon (1924)
L'Abandon (1924)
Description: L'Abandon
Date: before 1924
Author: Guillaume Seignac (1870–1924)
Guillaume Seignac (1870 - 1924). Working during the last half of the 19th century, Guillaume Seignac typifies the French academic style which was preached by the Salon and l’Ecole des Beaux-Arts - where there was daily instruction in life drawing, anatomy, perspective and painting. During the end of the 19th century, Seignac was living in Paris at rue de Fleurus, 26 (moving to Boulevard du Montparnasse, 84 in 1902) and studied with Tony Robert-Fleury, Gabriel Ferrier and William A. Bouguereau; the latter, being one of the driving forces in the Salon at this time, was to have the greatest influence on him.
http://commons.wikimedia.org/wiki/File:Guillaume_Seignac_-_L_Abandon.jpg
Guillaume Seignac | Paintings of nude recumbent females (supine) | Neoclassicism (1750-1830)
Description: L'Abandon
Date: before 1924
Author: Guillaume Seignac (1870–1924)
Guillaume Seignac (1870 - 1924). Working during the last half of the 19th century, Guillaume Seignac typifies the French academic style which was preached by the Salon and l’Ecole des Beaux-Arts - where there was daily instruction in life drawing, anatomy, perspective and painting. During the end of the 19th century, Seignac was living in Paris at rue de Fleurus, 26 (moving to Boulevard du Montparnasse, 84 in 1902) and studied with Tony Robert-Fleury, Gabriel Ferrier and William A. Bouguereau; the latter, being one of the driving forces in the Salon at this time, was to have the greatest influence on him.
http://commons.wikimedia.org/wiki/File:Guillaume_Seignac_-_L_Abandon.jpg
Guillaume Seignac | Paintings of nude recumbent females (supine) | Neoclassicism (1750-1830)
Friday, February 2, 1979
Nu Sur La Plage (1922)
Nu Sur La Plage (1922)
Description | Nu Sur La Plage (Nude on the Beach) |
Date | 1922 |
Source | Art Renewal Center Museumimage 11662 (present in book: Historia del Arte) |
Author | John William Godward (1861–1922) |
Subscribe to:
Posts (Atom)